WASTELAND is an artwork consisting of a system of concrete actions unfolding through time and various locations in order to disseminate on the international scene a series of “clues” about the existence of a nation of my invention, called Garbage Patch State. More information on The Garbace Patch State, and on the personal website of the artist Maria Cristina Finucci
![Basilica Giulia, Rome, 2018 [render]. Photo courtesy of Maria Cristina Finucci The latest artwork of Maria Cristina Finucci, titled "HELP the Ocean", has been unveiled on June 8, 2018, World Oceans Day, at the Basilica Giulia in Rome. Composed by a set of gabions in wire mesh, covered with an embroidery of six million colored plastic caps, "HELP the Ocean" wants to simulate a archaeological discovery that could be emblematic of our era, renamed as the "The age of Plastic". The exhibition of "HELP the Ocean" in Rome is open from June 8 until July 29, 2018.](https://files.climateforesight.eu/wp-content/uploads/2018/01/24200308/Help_the_ocean_render_png.png)
What is it that makes one statement more reliable than another and how can we claim that science has reached a consensus on any given issue? Increasingly, talk of climate change revolves around discussions of a “scientific consensus” and how this shapes our present and future understanding of climate issues and policymaking.
The COP25 came to an end on Sunday afternoon. The inadequacy of current policies in bridging the emissions gap was partially recognized, but disappointment was also widespread, as negotiations failed to deliver ambitious targets and regulate carbon markets by creating consensus around Article 6. Although many are viewing this as a missed opportunity, it isn’t all bad news…
A record breaking 11 million jobs in 2018: as renewables continue to generate employment, policy makers and businesses are beginning to see beyond the purely environmental benefits and recognise the broad socio-economic opportunities and benefits that renewables can bring
