WASTELAND is an artwork consisting of a system of concrete actions unfolding through time and various locations in order to disseminate on the international scene a series of “clues” about the existence of a nation of my invention, called Garbage Patch State. More information on The Garbace Patch State, and on the personal website of the artist Maria Cristina Finucci
![Basilica Giulia, Rome, 2018 [render]. Photo courtesy of Maria Cristina Finucci The latest artwork of Maria Cristina Finucci, titled "HELP the Ocean", has been unveiled on June 8, 2018, World Oceans Day, at the Basilica Giulia in Rome. Composed by a set of gabions in wire mesh, covered with an embroidery of six million colored plastic caps, "HELP the Ocean" wants to simulate a archaeological discovery that could be emblematic of our era, renamed as the "The age of Plastic". The exhibition of "HELP the Ocean" in Rome is open from June 8 until July 29, 2018.](https://files.climateforesight.eu/wp-content/uploads/2018/01/24200308/Help_the_ocean_render_png.png)
How is climate change changing lives? How photography as a medium can improve and innovate climate change communication and contribute to the climate transition?
Is it possible to build a zero-carbon world and, at the same time, guarantee sustainable development and well-being prospects? The answer depends on how capable we are of building development models in which economic growth does not go hand in hand with growth in greenhouse gas emissions.
Global leaders agreed to halt biodiversity loss by protecting 30% of the world’s land and ocean by 2030. Leaders from environmental organizations around the world react to the deal, highlighting its merits and the potential issues that come with it. From “a watershed moment” to “we don’t need people to tell us what to do”, the consensus is that governments need to treat the Kuming-Montreal Biodiversity framework “as a floor, not a ceiling”.
